Dyed chinese silk thread Stock Photos and Images
RM2BD1KFK–Uyghur woman preparing loom with tie dyed silk thread ready for weaving, Jiya, Xinjiang, China, Asia
RM2X9R662–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
RM2HHX6D3–Piece 16th–19th century China. Piece. China. 16th–19th century. Silk, metallic thread. Ming (1368–1644)–Qing (1644–1911) dynasty. Textiles-Tapestries
RMPATM9T–Outer Robe (Uchikake) with Mount Horai. Culture: Japan. Dimensions: Overall: 73 x 48 in. (185.4 x 121.9 cm). Date: second half of the 18th century-first half of the 19th century. The ancient Chinese legend of Penglai, a spiritual mountain of eternal life located in the eastern seas, lives on in this late-Edo-period robe. In Japan, the fantasy island, Mount Horai, became stylized as a gathering of cranes and tortoises in a bright landscape, like this one, dominated by pine, plum, and bamboo. The theme of Mount Horai was common in bridal garments. Museum: Metropolitan Museum of Art, New York, U
RMKCD5J6–白綸子地松竹梅鶴亀模様打掛, Outer Robe (Uchikake) with Mount Hōrai, second half of the 18th century–first half of the 19th century
RF2HW3B0F–Art inspired by 黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, Edo period (1615–1868), late 18th–early 19th century, Japan, Resist-dyed and painted silk crepe, embroidered with silk and metallic thread, Overall: 68 3/4 x 49 in. (174.6 x 124.5 cm), Costumes, In the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2BD1KFX–Uyghur woman at loom weaving tie dyed silk thread into traditional cloth, Jiya, Xinjiang, China, Asia
RM2X9R65N–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
RMKCD758–黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, late 18th–early 19th century
RF2HW3A91–Art inspired by 白綸子地松竹梅鶴亀模様打掛, Outer Robe (Uchikake) with Mount Hōrai, Edo period (1615–1868), second half of the 18th century–first half of the 19th century, Japan, Silk and metallic thread embroidery on silk satin damask with stencil-dyed details, Overall: 73 x 48 in. (185.4 x 121.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2BD1KE5–Uyghur man at loom weaving tie dyed silk thread into traditional cloth, Jiya, Xinjiang, China, Asia
RF2X9HBYM–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
RM2H0YK4C–Wall Hanging, late 1700s–early 1800s. China, Qing dynasty (1644-1911). Silk; satin weave ground with supplementary silk weft wool; overall: 188 x 378.4 cm (74 x 149 in.).
RM2BD1KFJ–Uyghur man at loom weaving tie dyed silk thread into traditional cloth, Jiya, Xinjiang, China, Asia
RF2X9HC3P–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
RM2HJ24JA–"Cloth of Gold" with Medallions 14th century China This exuberant textile illustrates one of the most luxurious materials used at the Mongol court: nasij, or “cloth of gold.” Except for very fine outlines of patterns in bright red silk, the entire surface of this special textile was woven with gold threads. An innovation from Central Asia, this technique attests to the mass movement of weavers from the eastern Iranian world to China during the Mongol period.. "Cloth of Gold" with Medallions 64101
RM2H0Y6YK–Sarong, early 1900s. Indonesia, Java, North Coast, Indramaju ?, early 20th century. Batik; cotton; overall: 196.9 x 106.7 cm (77 1/2 x 42 in.). Batiks made along the northern coast of Java were influenced not only by Chinese motifs and designs but also European, as a result of the Dutch presence in Indonesia from the sixteenth to the twentieth centuries. In this sarong, European influence is clearly evident in the sprays of flowers and types of birds represented. Batiks dyed only in indigo were a specialty of Indramaju. Shading and contrast are skillfully achieved through different intensitie
RM2HHBA1M–Textile with animals and woven inscription 1st–3rd century China On this colorful textile, several lively creatures climbing cloudlike mountains are interspersed with Chinese characters that form an incomplete auspicious inscription. The pattern of animals and clouds was popular on Chinese silks from the Han to the Jin dynasty (ca. 1st–3rd century). Textiles with such patterns have been found at archaeological sites all over China, including in the far west, and were often referred to in contemporary documents by complete or partial inscriptions. The inscription on this work includes the chara
RM2HJ4NCC–Circular textile with two phoenixes 16th–17th century China This textile features a pair of phoenixes on a golden background among flowers of various seasons; clockwise from the lower left, they are lotus, camellia, prunus, tree peony, and auspicious fungus. The composition is anchored at the bottom by a garden rock.. Circular textile with two phoenixes 69209
